Spoleto Festival USA will present “Exploring Omar,” a free, eight-part discussion series as part of the Festival’s education and community engagement arm, Spoleto ETC. The hourlong programs, held virtually via YouTube Live, will expand on the historical context and cultural significance of Omar, Spoleto’s upcoming world premiere opera written by Rhiannon Giddens and based on the life of Omar Ibn Said. SC Humanities supported this series with a Major Grant.
Omar Ibn Said was a Muslim African scholar who was sold into slavery in Charleston upon his capture in what is now Senegal in 1807. Said’s 1831 autobiography is considered to be the only autobiography written in the United States by an enslaved person while still enslaved, and because it was originally written in Arabic, it is believe to be uncensored by Said’s enslavers.
“Exploring Omar” events are free to attend and will take place online. Each discussion features expert panelists and moderators in the fields of religion, education, culture, and the arts, creating connections between Omar and modern-day ideas. Registration is required. An access code and link for the discussions will be emailed to registrants prior to each talk.
Thursday, October 13, at 6:00pm
Exploring Omar: Omar, the Man
Who was Omar Ibn Said?
What is known about Omar Ibn Said and why is his manuscript of particular relevance today? Join us as professor Ala Alryees, who translated Ibn Said’s autobiography for his book A Muslim American Slave: The Arabic Life of Omar Ibn Said, and Dr. Sylviane Diouf—an author and award-winning social historian of the African Diaspora—reveal little-known facts about Ibn Said and uncover what makes him a figure of such historical importance. Brenda Tindal, of the International African American Museum, serves as moderator.
Tuesday, November 10, at 6:00pm
Exploring Omar: Between Two Lands
The cultural and environmental ties between Futa Toro (Senegal) and the Lowcountry
Futa Toro and Charleston: The sites of Omar’s birth and enslavement, divided by a vast ocean and much more. But did these water-proximal areas share traits, too? In looking at the intersections of the two lands, panelists will examine the cultures of both regions and the traditions of those who inhabit them today. Former National Park Services specialist Michael Allen—who has been instrumental in telling the stories of African Americans in the region and contextualizing them for exhibitions and historical markers—moderates this fascinating talk. Joining him are College of Charleston Professor John Cropper, Ph.D., who specializes in French West African history; Veronica Gerald, Coastal Carolina University Professor Emeritus and former Director of History and Culture at Penn Center on St. Helena Island; and Dr. Mamarame Seck, who will speak from his post in Senegal at the University Cheikh Anta Diop of Dakar.
Tuesday, December 15, at 5:00 pm
Exploring Omar: Complex Identities in the Arts
Past and present Spoleto artists discuss bias in opera
On May 28, 2021, Omar Ibn Said’s story will be told through opera—an artform that has, historically, contributed to the unjust practices of systemic racism and failed to promote the voices of Black and non-white artists, especially in directorial or leadership roles. In this talk, artists of current and past Spoleto Festival USA productions—including director and designer Jennifer Wen Ma, director Atom Egoyan, and Omar librettist and co-composer Rhiannon Giddens—discuss their unique experiences on stages nationwide and the biases they have faced in the performing arts industry. Festival Director of Orchestral Activities and Omar conductor John Kennedy serves as moderator.
Discussions set for January, February, March, April, and May 2021 will be announced later this fall.
Learn more about Spoleto Festival USA: https://spoletousa.org/about/.
The mission of SC Humanities is to enrich the cultural and intellectual lives of all South Carolinians. Established in 1973, this 501(c) 3 organization is governed by a volunteer 20-member Board of Directors comprised of community leaders from throughout the state. It presents and/or supports literary initiatives, lectures, exhibits, festivals, publications, oral history projects, videos and other humanities-based experiences that directly or indirectly reach more than 250,000 citizens annually.
Image: Half length formal portrait of “Uncle Moreau” [Omar ibn Said]; elderly man seated wearing headwrap, suit; left elbow rests on newel, cane in right hand
Credit: Randolph Linsly Simpson African American Collection, James Weldon Johnson Memorial Collection, Yale Collection of American Literature, Beinecke Rare Book & Manuscript Library, Yale University